Michael V. Smith
Price: $22.95Format: Trade Paperback
Size: 5.56" x 8.50"
Publication Date: Nov 11, 2002
FIC019000 FICTION / Literary
FIC011000 FICTION / LGBT / Gay
FIC066000 FICTION / Small Town & Rural
“It’s easy to see what impressed the readers at Cormorant. Smith … has a keen command of small-town life … He skillfully captures the close emotional ties between those who live in the industrial town, facing the closure of its mills and factories in the wake of NAFTA, and he demonstrates a keen awareness of the rhythms of economic downturn and alcoholism.”
“There are remarkable insights in this novel. Smith has a touch with dialogue that makes his characters come alive. Just as he probes and gets under their skins, their stories get under ours and leave us wishing we could see how it all turns out.”
“The multi-gifted Smith … tells the story plainly, and it’s extremely effective. His characters’ stories of love and loss have so much emotional impact that they don’t need embellishment. Sometimes a book creeps up on you. That’s what happens with Cumberland, a novel that starts out as just another day in the bar for middle aged millworker Ernest but soon enters more explosive areas.”
A stunning first novel full of empathy, marked by an astounding maturity of insight. Cumberland is both a place and a state of mind; it is a small-town story of longing and loss in the manner of David Adams Richards. It is an exploration of loneliness and the fear of loneliness in lives limited by circumstance.
Cumberland is an industrial town located halfway between Ottawa and Montreal on the shore of the St. Lawrence River. It’s facing the close of its factories and mills in the wake of the North American Free Trade Agreement. Ernest, a mill worker whose job is lost when the mill closes, is fifty-two; his employment prospects are poor. His life to this point hasn’t equipped him to face any more loss. Longing for companionship, he meets Bea, a waitress at Malouf’s, the local pub. Bea lives in an apartment with Amanda, who left home at seventeen because she couldn¹t live with her mother and stepfather. Yearning for a better life, Amanda develops a crush on Nick, Ernest’s drinking buddy, who represents many aspects of a better life — he has a Range Rover, owns a house — he is emotionally unavailable to Amanda, being a recently widowed single father.
The lives of Ernest, Bea, Amanda, Nick, and his son Aaron come together, fall apart, and come together again in this memorable and emotionally satisfying novel.